- Mon, 13:34: Entire carriage full of schoolchildren on a trip. The horror. The horror.
- Sat, 12:32: At the Warren, waiting for PAWS. Odd space, like a secret garden in middle of town.
- Sat, 13:35: PAWS: great start to the day doing the power trio thing. Playing solos by flailing wildly at the strings, v. effective.
- Sat, 15:16: French Films: great fun, reminiscent of the Mary Chain in pop mode.
- Sat, 15:48: We Cut Corners: bloody brilliant! Worship these guys, they deserve it!
- Sat, 15:52: Cheveu: full of themselves, obv. krautrock influence but muddy sound tried my patience too far.
- Sat, 20:17: Kinnie the Explorer: umm yes. Less than invigorating. May just be me though.
- Sat, 21:09: The Callas: pummellingly effective. "Three chords lad? Pah! Luxury!"
- Sat, 22:07: Antlered Man: took a while to "get" but worth seeing.
- Sat, 23:12: Exitmusic: pursued by a bear [sorry]; soaring, transcendent, worth the wait.
- Sun, 08:32: Oh Kaspersky, your constant nagging is not making me any more likely to give you money.
So, I appear to have made it to the end of another Great Escape. It's been a great year - I tried to tweet at least once per band I saw, although I know we saw at least three more bands after Fever Fever on Thursday night. I also lost two tweets about Niztam and then made up for it by getting their name wrong the next morning (that was the pre-festival gig at the Prince Albert on Wednesday evening), which will teach them to have such a memorable name: it appeared at one point that their own singer didn't know how to pronounce it, so what chance do the rest of us stand?
Particular highlights for me were (in no particular order):
(Frankly, I'm baffled by anyone who comes to the Great Escape to spend hours queuing to see bands, when there is always something else just around the corner, probably newer if not always more interesting - it's those unknown unknowns that make the festival so much fun.)
We finished the evening at Fortune Of War, somewhat traditionally, sat at the far end while at least one dingbat suggested we were a gay couple, rather than just making the most of not being on our feet for the first time in what felt like days. The hyper-enthusiastic Australian women at the next table, two of whom appeared to be fitness instructors (or at least danced like they were) did make for a pleasing view as well.
Thankfully, there are no replacement bus services on the train home, so I won't find myself having to drag my case onto a coach in some godless hellhole like Stevenage to sit in traffic for forty-five minutes, and can get back and catch up on some TV as quickly as possible. Tomorrow is "pick up the cat" day, then on Tuesday I start my new job. Kind of terrified about that...
Particular highlights for me were (in no particular order):
- Fever Fever, who blew the whole of Thursday out of the water. It's about the fourth or fifth time I've seen them, and they always deliver, making me wander off with a grin on my face. Like a rolling chaos engine, they overcame technical difficulties by the application of extreme swearing, and had the best banter of any band this year.
- Rolo Tomassi - only caught the second half of their set, having hung around too long at another band, but I wished I'd seen them before. Way better in the flesh than on record.
- We Cut Corners, who I suggested should be revered as gods in another lost tweet. Two-piece from Ireland with fantastic vocals and great songs.
(Frankly, I'm baffled by anyone who comes to the Great Escape to spend hours queuing to see bands, when there is always something else just around the corner, probably newer if not always more interesting - it's those unknown unknowns that make the festival so much fun.)
We finished the evening at Fortune Of War, somewhat traditionally, sat at the far end while at least one dingbat suggested we were a gay couple, rather than just making the most of not being on our feet for the first time in what felt like days. The hyper-enthusiastic Australian women at the next table, two of whom appeared to be fitness instructors (or at least danced like they were) did make for a pleasing view as well.
Thankfully, there are no replacement bus services on the train home, so I won't find myself having to drag my case onto a coach in some godless hellhole like Stevenage to sit in traffic for forty-five minutes, and can get back and catch up on some TV as quickly as possible. Tomorrow is "pick up the cat" day, then on Tuesday I start my new job. Kind of terrified about that...
- Fri, 13:11: Flip Grater: lovely acoustic singer-songwriting. Burn When I Die the highlight for me (about a diary).
- Fri, 14:54: Lame Deer: inexplicably changed name from Jaguar Shark. Much more psych-rock than expected. Dreadful name tho.
- Fri, 14:58: Massmatiks: great drums, clumsy but heartfelt lyrics. Made us feel old. Tears on stage.
- Fri, 15:34: Furguson: frankly bonkers. About 150 ideas in each song. Not even sure what to think.
- Fri, 16:02: Taking a break from the tunes for "artisan beer" at Cask. May miss the 16%, �23 Black Tokyo Horizon tho.
- Fri, 17:22: Skipped Slow Club: awful venue, no view of the stage, surrounded by talkers. Same as EMA last year in fact. Gah!
- Fri, 20:22: Odonis Odonis: may have been great; sound in venue made it hard to tell. Could have been playing in a shoebox.
- Fri, 20:42: Revere: much more rockful than led to believe. May have seen them last year.
- Fri, 20:44: Revere: singer asked for "less Jim Morrison in the monitor" which wins bonus points with me.
- Fri, 22:39: Wet Nuns: pretty much what you'd expect, two-piece blues w/ too much banter. Still good though.
- Thu, 12:29: Slow Down, Molasses: sweet, poppy, excellent. Also, two drummers!
- Thu, 13:03: Hot Panda: great fun, & first I've seen play bass+trumpet AT THE SAME TIME!
- Thu, 14:48: The Killgirls: hyper-enthusiastic Aussies, like very loud puppies on Red Bull.
- Thu, 16:40: Dear Prudence: ace Echo Beach cover, good vocals, band of Sleeperblokes though.
- Thu, 17:12: Pepper & Shepherd: folksome duo, harmonies & mandolin. Good banter, distinct change of pace!
- Thu, 17:23: Singer from 50ft Woman running around in very spangly pants (UK sense).
- Thu, 18:21: 50ft Woman: dirrrty rock n roll, & certainly looked the part. Hilarious & brilliant; singer too tall for the stage
- Thu, 20:22: School is Cool: joyful Belgian multi-instrumentalists. Good fun, lots of percussion, covered the Pixies!
- Thu, 22:27: Fever Fever: how I love thee! Making chaos out of order & getting better every time.
- Wed, 15:50: In Brighton. Weather not the best. Hiding, drinking beer.
- Wed, 20:27: Wristband: check; earplugs: check; room full of instrumemts: check. Good to go, I think.
- Wed, 20:29: Man outside playing the hell out of a clarinet, making most of tunnel acoustics: also check.
- Wed, 21:09: Incidentally, expect lots of music/Brighton updates over the next 4 days. Consider it revenge for all the football/F1 stuff.
- Wed, 21:10: Block me if it bugs you. Does that pig's face look bovvered?
- Wed, 21:48: Another Costume Party: great til the singing started. Volume > ability; great bass/guitar tho.
- Wed, 22:45: Sparrow: best so far, actual grasp of dynamics. Also, look & act like a *band*.
- Thu, 07:36: Dang! Lost two tweets there about Kitzam. Guitarist wouldn't put his tongue away. Need I say more?
- Tue, 23:55: Think I may have seen the only film this year to contain the word 'quim'. Props to Mr Whedon, clearly.
- Wed, 10:27: Chuck Norris' rigidly keeping his hat on in the Expendables2 trailer makes me wonder if he's hiding something.
- Sun, 23:50: Bunch of Lynnies clustered in the control booth on Plat4. Cambridge station staff all in hiding.
- Sun, 23:52: "Bum me or leave," says one of them. Bloke leaves, shame-faced.
- Mon, 10:07: Off to try my new bike ride to work. Hope the weather holds!
- Sun, 11:57: Truly wretched howling coming from shop doorway in Grand Arcade. Like music being murdered in front of its family.
- Sun, 12:00: Unlikely to entice many customers in, I imagine.
- Fri, 15:26: RT @guardianmusic: Fearne Cotton’s record collection goes online http://t.co/t027f8LU